| Introduction to gestural similarity in music. An application of category theory to the orchestra |
5 |
| Spaces of gestures are function spaces |
4 |
| Relational poly-Klumpenhouwer networks for transformational and voice-leading analysis |
2 |
| Pseudo-distances between chords of different cardinality on generalized voice-leading spaces |
1 |
| Kaleidoscope substitutions and pairwise well-formed modes: major-minor duality transformationally revisited |
1 |
| Variety and multiplicity for partitioned factors in Christoffel and Sturmian words |
1 |
| John Cage's Silent Piece and the Japanese gardening technique of shakkei: Formalizing Whittington's conjecture through conceptual graphs |
1 |
| Marcel Fremiot, determinism versus chaos, and the tower of Hanoi |
1 |
| Combinatorics of words and morphisms in some pieces of Tom Johnson |
1 |
| Naming and ordering the modes, in light of combinatorics on words |
1 |
| Creating improvisations on chord progressions using suffix trees |
0 |
| Effects of weighting the ends of a tubular bell on modular frequencies |
0 |
| Designing inharmonic strings |
0 |
| MetricSplit: an automated notation of rhythm aligned with metric structure |
0 |
| Consonance based interval systems and their matrices: Leibniz's harmonic equations |
0 |
| An algorithmic approach to South Indian classical music |
0 |
| Modelling melodic variation and extracting melodic templates from flamenco singing performances |
0 |
| Harmonic distance in intervals and chords |
0 |
| Dual lattice-path transformations and the dynamics of the major and minor exo-modes |
0 |
| 2:3:4 Harmony within the tritave |
0 |
| Opening remarks of the Sixth Biennial International Conference on Mathematics and Computation in Music (MCM 2017) in Mexico City, June 26- 2017 |
0 |
| Expanded interval cycles |
0 |
| Predicting Babbitt's orderings of time-point classes from array aggregate partitions in None but the Lonely Flute and Around the Horn |
0 |
| Optimal tuning of multi-rank keyboards |
0 |
| Encoding musical procedures by sequential transducers |
0 |
| Classification of Turkish makam music: a topological approach |
0 |
| Mapping k-combinations and Dih(4) in John Cage's Variations I as utilities for determinate and indeterminate realization strategies |
0 |
