| Classification by Type of the Arches in Gaudi's Palau Guell |
3 |
| A Metrological Study of the Late Roman Fort of Umm al-Dabadib, Kharga Oasis (Egypt) |
2 |
| The Geometrical Regularization for Covering Irregular Bases with Karbandi |
2 |
| The Geometric Language of Roman Theater Design, Part 1 |
2 |
| From Cartesian to Topological Geometry: Challenging Flatness in Architecture |
2 |
| A Focal Curve Approximation of a Borromini Oval Contour |
1 |
| Music, Architecture and Mathematics in Traditional Iranian Architecture |
1 |
| Fractal-Based Computational Modeling and Shape Transition of a Hyperbolic Paraboloid Shell Structure |
1 |
| An Unfinished Manifesto for Stereotomy 2.0 |
1 |
| Geometric Proportions in Measured Plans of the Pantheon of Rome |
1 |
| Epidermis: Algorithmic Design Based on Biomimetic Morphology |
1 |
| Arraying Prototypical Houses in Strip Patterns: Gregory Ain's Park Planned Homes of 1946-1949 |
1 |
| Nautilus Spirals and the Meta-Golden Ratio Chi |
1 |
| New Stereotomic Bond for the Dome in Stone Architecture |
1 |
| A Kinetic Module for Modular Structures Based on Rigid Origami |
1 |
| Enhancing the Structural Performance of Masonry Structures by Post-Tensioning |
0 |
| Palladio's Debt to Venice |
0 |
| Stereotomy and Architectural Design at Foster plus Partners |
0 |
| MayaVaulta Mesh Modelling Environment for Discrete Funicular Structures |
0 |
| Variable Casting of Voussoirs for a Stereotomic Shell |
0 |
| A Revised Analysis of the Villa Cornaro |
0 |
| Computational Tessellation of Freeform, Cut-Stone Vaults |
0 |
| Diversity, Simplicity and Selection of Geometric Constructions: The Case of the n-Section of a Straight Line |
0 |
| Lightweight Stereotomy with Glass-Fiber Reinforced Plastic |
0 |
| New Approach to Proportional Analysis of Palladio's Designs in Book II with Particular Attention to Loggias |
0 |
| Recovering Cannibalism in Architecture with a Return to Cyclopean Masonry |
0 |
| The Geometry of Cuboctahedra in Medieval Art in Anatolia |
0 |
| Algorithmic Design and Analysis of Architectural Origami |
0 |
| Two Design Experiments in Playful Architectural Adaptability |
0 |
| Fabricating Performance: Reciprocal Constructs of Dance Notation |
0 |
| Muqarnas Domes and Cornices in the Maghreb and Andalusia |
0 |
| Architecture In-Play, Future Challenges |
0 |
| Design and Fabrication of a ruled surface vault with the Exquisite Corpse |
0 |
| Stereotomy 2.0 and Digital Construction Tools |
0 |
| From Solid to Plane Tessellations, and Back |
0 |
| Revisiting Stereotomic Principles in Contemporary AEC Practice |
0 |
| Pentagons in Medieval Sources and Architecture |
0 |
| SQL and Islamic Geometric Design |
0 |
| Pseudoheptagonal Mosaic from the Hodja Ahmad Tomb, Samarkand |
0 |
| The Dirksen Grammar: A Generative Description of Mies van der Rohe's Courthouse Design Language |
0 |
| The Geometric Language of Roman Theater Design, Part 2 |
0 |
| Two Architectures: Two Compared Geometries |
0 |
| Rection as a Synthesis of Reciprocal and Tensegrity Structure |
0 |
| Improving Spoke Wheel Roofs with the Geometry of Rasmi-Bandis |
0 |
| A Unified Representation of Folded Surfaces via Fourier Series |
0 |
| New Properties About the Intersection of Rotational Quadratic Surfaces and Their Applications in Architecture |
0 |
| Kerf Bending Strategy for Thick Planar Sheet Materials |
0 |
| Subsymmetries for the Analysis and Design of Housing Facades |
0 |
| World Bobsleigh Tracks: from Geometry to the Architecture of Sports Facilities |
0 |
| ZlokoviAc's Understandings of Reciprocal Concatenation |
0 |
