| Captivating algorithms: Recommender systems as traps |
16 |
| How conservation matters: Ethnographic explorations of historic building renovation |
5 |
| Rust and dust: Materiality and the feel of memory at Camp des Milles |
5 |
| Record collections as musical archives: Gender, record collecting, and whose music is heard |
3 |
| Turbulent indigenous objects: Controversies around cultural appropriation and recognition of difference |
3 |
| Flower, soil, water, stone: Biblical landscape items and Protestant materiality |
2 |
| An order of distinction (or, how to tell a collection from a hoard) |
2 |
| Weaving for tourists in Chinchero, Peru |
2 |
| Collecting, connecting, constructing: Early modern commodification and globalization of Sami material culture |
2 |
| Lessons from love-locks: The archaeology of the contemporary assemblage |
2 |
| Where places fold: The co-production of matter and meaning in an Aymara ritual setting |
1 |
| The photograph as archive: Crafting contemporary Koorie culture |
1 |
| Greening honey: Producing the underground origins of a forest wonder |
1 |
| Making textiles into persons: Gestural sequences and relationality in communities of weaving practice of the South Central Andes |
1 |
| The problem of mechanization: Craft, machines, and centering' in a Japanese Mingei pottery village |
1 |
| Plastic masculinity: How everyday objects in plastic suggest men could be otherwise |
1 |
| Spolia revisited and extended: The potential for contemporary architecture |
1 |
| Materials as temporally specific phenomena: Specialization and compromise in bioplastics production |
1 |
| Enchanted by the AK-47: Contingency of body and the weapon among Hezbollah militants |
1 |
| Digital food and foodways: How online food practices and narratives shape the Italian diaspora in London |
1 |
| 'Memory objects': Material objects and memories of home in the context of intra-African mobility |
1 |
| A kind of disassembled and reassembled, postmodern collective and personal self: Agency and the Insulin pump |
1 |
| Exploring ambivalent oxygen machine-people-world relations through the lens of postphenomenology |
1 |
| (Re)making smoking: Of packets and practice |
1 |
| The pirarucu net: Artefact, animism and the technical object |
0 |
| Biographies carved in wood: Turning points in the lives of two medieval Virgin sculptures |
0 |
| Can the plant speak? Giving tobacco the voice it deserves |
0 |
| Suicides, poisons and the materially possible: The positive ambivalence of means restriction and critical-critical global health |
0 |
| Building a legacy? Ambivalent impacts of a malaria vaccine clinical trial |
0 |
| Drinking and dreaming in the dormitories: Workers struggle in times of economic development |
0 |
| Understanding geometrical features of Nuaulu shield design |
0 |
| Imagining new materials: Design as puzzle-solving |
0 |
| Corporate skin: Biosocial relations, tropes, and institutions in prosthetics research and development |
0 |
| 'Anything off the bottom shelf': Ephemeral fairgrounds and material swag |
0 |
| The dance of the lines: On the rhythms of making petroglyphs |
0 |
| The sitter's impression: Memory and early modern portrait medallions |
0 |
| The material culture of burial and its microgeography: A Luxembourg cemetery as a methodological example of an object-centred approach to quantitative material culture studies |
0 |
| Skin, paper, tiles: A cross-cultural history of Kadiweu art |
0 |
| Lars Haetta's miniature world: Sami prison op-art autoethnography |
0 |
| Warfarin as a materially and digitally informed drug |
0 |
| Making community through the exchange of material objects |
0 |
| The tomato paste tin can: An African journey (Burkina Faso) |
0 |
| Where is the real trap? Domination and mutualism in Teetl'it Gwich'in sensibilities about trapping |
0 |
| Drawing into being: The trap as a diagram for ecological exchange between art and anthropology |
0 |
| From mastery to subjection: An embodied ethics of entrapment in Amazonia |
0 |
| Living with the past at home: The afterlife of inherited domestic objects |
0 |
| Where design competitions matter: Architectural artefacts and discursive events |
0 |
| Uncanny objects and the fear of the familiar: Hiding from Akan witches in New York City |
0 |
| The entrapment of trap design: Materiality, political economy and the shifting worlds of fixed gear fishing equipment |
0 |
