| Taught to remember? British youth and First World War centenary battlefield tours |
8 |
| Craft entrepreneurialism and sustainable scale: resistance to and disavowal of the creative industries as champions of capitalist growth |
6 |
| The art of the good life: culture and sustainable prosperity |
5 |
| Cultural democracy and cultural policy |
5 |
| A state of constant prodding: live music, precarity and regulation |
4 |
| The coming crisis of cultural engagement? Measurement, methods, and the nuances of niche activities |
4 |
| Contributing to the creative economy imaginary: universities and the creative sector |
4 |
| Evaluating equity: assessing diversity efforts through a social justice lens |
3 |
| Challenges of cultural industry knowledge exchange in live performance audience research |
2 |
| Crafting the local: the lived experience of craft production in the Northern Isles of Scotland |
2 |
| Arts councils, policy-making and the local |
2 |
| Creative economies of tomorrow? Limits to growth and the uncertain future |
1 |
| Oscillate wildly: the under-acknowledged prevalence, predictors, and outcomes of multi-disciplinary arts practice |
1 |
| Analysing visits to English museums 1850-2015: a research note |
1 |
| Who's counting whom? Non-National museum attendances in the UK: part 1 |
1 |
| Non-national museum attendances in the UK. Part 2: counting them in |
1 |
| Rethinking participation in the Aarhus as European Capital of Culture 2017 project |
1 |
| The uneven regional geography of labour precariousness: the case of Greek design industry |
1 |
| SROI in the art gallery; valuing social impact |
1 |
| Using mixed-methods, a data model and a computational ontology in film audience research |
1 |
| The work of the audience: visual matrix methodology in museums |
1 |
| Evaluating a university?s investment in arts programming on student arts participation |
1 |
| Participation as policy in local cultural governance |
1 |
| The arts, Bohemian scenes, and income |
1 |
| The audiovisual action plan: a new audiovisual policy for Ireland |
1 |
| Arts education partnerships: sources of harmony and dissonance with cultural institutions' collaborative efforts |
0 |
| Re-envisioning media literacy education as feminist arts-activism |
0 |
| Effecting cultural change from below? A comparison of Cape Town and Bandung's pathways to urban cultural governance |
0 |
| Re-imagining the local in national cultural policy formulation - the case of the Anglophone Caribbean |
0 |
| The menace of meritocracy: unmasking inequality in the creative and cultural industries |
0 |
| Spontaneity and planning in arts attendance: insights from qualitative interviews and the Audience Finder database |
0 |
| A possible teleology of cultural sector data in England |
0 |
| Arts audience segmentation: data, profiles, segments and biographies |
0 |
| A prison audience: women prisoners, Shakespeare and spectatorship |
0 |
| Why do we subsidize donations to the opera? |
0 |
| Museum visiting in Edinburgh and Glasgow - 150 years of change and continuity |
0 |
| Where are the numbers? Counting museum visitors in France |
0 |
| Lies, damn lies and statistics: a history of museum visits in Australasia |
0 |
| Understanding the digital legacy of the World War I: Cymru1914 |
0 |
| Unthinking remembrance? Blood Swept Lands and Seas of Red and the significance of centenaries |
0 |
| Self-reported impacts of volunteering in UK zoos and aquariums |
0 |
| Culture as commons: theoretical challenges and empirical evidence from occupied cultural spaces in Italy |
0 |
| When the dead rise: encountering resistant legacies of creative economy within an artist's residency at a municipal cemetery |
0 |
| Museums for the many? Rhetorical optimism and the failure of sustained political will at three London government-funded museums - then and now |
0 |
| The view from within: a curatorial account of the rise and fall of visits to London museums from 1851-2016. A research note |
0 |
