| Towards African-centred theories of masculinity |
7 |
| Heterosexual relationships among young black men in the construction of masculinity at a South African university |
3 |
| Spectrality and inter-generational black narratives in South Africa |
2 |
| On the urban condition at the edge of the twenty-first-century: time, space and art in question |
2 |
| Accumulating history: dirt, remains and urban decay in Nairobi |
2 |
| Dirt redeployed: the cultural politics of dirt continued |
2 |
| South African Gay Pages and the politics of whiteness |
2 |
| Place, interest and political agency: some questions for Michael Neocosmos |
1 |
| Minerva's orthography: early colonial projects for print literacy in African languages |
1 |
| Is Nigeria a soft power state? |
1 |
| Putting dirt in its place: the cultural politics of dirt in Africa |
1 |
| Making sense of the politics of sanitation in Cape Town |
1 |
| Filthy rich and dirt poor: social and cultural dimensions of solid waste management (SWM) in Lagos |
1 |
| Human waste/wasting humans: dirt, disposable bodies and power relations in Nigerian newspaper reports |
1 |
| Affective return: anachronistic feeling and contemporary South African documentary form |
1 |
| We have been thrown away: surplus people projects and the logics of waste |
1 |
| Poor theory and the art of plastic pollution in Nigeria: relational aesthetics, human ecology, and good housekeeping |
1 |
| Surplus, excess, dirt: slavery and the production of disposability in South Africa |
1 |
| Women bankers in black and white: exploring raced, classed and gendered coalitions |
1 |
| Archives of empire |
0 |
| Effluence, waste and African Humanism: extra-anthropocentric being and human rightness |
0 |
| The baboon boy of the Eastern Cape and the making of the human in South Africa |
0 |
| The politics of the page: cutting and pasting in South African and African-American newspapers |
0 |
| Modernity's dirt: carbon emissions and the technique of life |
0 |
| Reclaiming the future: (In)visible dirt borders in Sammy Baloji's mining photomontages |
0 |
| Transcultural tension and the politics of sewage management in (post) colonial Lagos |
0 |
| ?I have a story about Nairobi?: narrator unreliability, ethnicity and the imagination of the Kenyan nation in ?Khandpaka? by Awillo Mike and Ja-Mnazi Afrika |
0 |
| Khaya Witbooi. Rabbit |
0 |
| Music memoirs from Africa: tracking music in Binyavanga Wainaina's memoir: One Day I Will Write About This Place |
0 |
| Notes from underground: fugitive ecology and the ethics of place |
0 |
| Waste's dominion: the gymnastics of value in informal markets |
0 |
| EH Duckworth's Clean-Up Lagos Campaigns: the political use of ex-centric colonial discourse on African dirt |
0 |
| Screening dirt: public health movies in colonial Nigeria and rural African spectatorship in the 1930s and 1940s |
0 |
| Co-optation as an imaginative act: art-related initiatives and social space in Kampala |
0 |
| Remembering Marikana: public art intervention and the right to the city in Cape Town |
0 |
| Reframing Johannesburg's urban politics through the lens of the Chinese Camera Club of South Africa |
0 |
| Unravelling political and historical threads: youth and masquerade mobility in Freetown |
0 |
| Picturing Lagos: word-photography configurations in Teju Cole's Every Day Is for the Thief (2007/2014) |
0 |
| Imag(in)ing Lagos globally |
0 |
| The unbearable lightness of African cities |
0 |
| Introduction: Re-Imagining Cities in Africa |
0 |
| William Dorsey and the construction of an African American history archive |
0 |
| Non-racialism, relationality and no-relation: recovering Biko's Black Consciousness forgotten |
0 |
| Umteteli wa Bantu and the constitution of social publics in the 1920s and 1930s |
0 |
| Well-seasoned talks: the newspaper column and the satirical mode in South African letters |
0 |
| The difference of colour: reading and writing abolitionism |
0 |
| Ruined time and post-revolutionary allegory in Nthikeng Mohlele's Small Things |
0 |
| Post-genocide Rwanda and discursive construction of legitimacy: contesting seemingly dichtomous political narratives |
0 |
| The pose of the author: colonial Africa and the operations of genre |
0 |
| Yo-yo culture: thinking South Africa after Marikana |
0 |
