| Symmetry Is Not a Universal Law of Beauty |
14 |
| Aesthetic Appreciation: The View From Neuroimaging |
9 |
| Peripheral Factors Affecting the Evaluation of Artworks |
6 |
| Effects of Context and Genuineness in the Experience of Art |
5 |
| The Impact of Accompanying Text on Visual Processing and Hedonic Evaluation of Art |
3 |
| Energy, Popularity, and the Circumplex: A Computerized Analysis of Emotion in 353 Musical Pieces |
3 |
| Noninvasive Brain Stimulation: An Overview of Available Approaches for Research in Neuroaesthetics |
2 |
| Geometric Regularity, Symmetry and the Perceived Beauty of Simple Shapes |
2 |
| How Images Draw the Eye: An Eye-Tracking Study of Composition |
2 |
| Emptying Rooms: When the Inverted-U Model of Preference FailsAn Investigation Using Music With Collative Extremes |
1 |
| Do People Have a Thing for Bling? Examining Aesthetic Preferences for Shiny Objects |
1 |
| Feeling Like Crying When Listening to Music: Exploring Musical and Contextual Features |
1 |
| Colliding Terminological Systems-Immanuel Kant and Contemporary Empirical Aesthetics |
1 |
| A Unifying Model of the Arts: The Narration/Coordination Model |
1 |
| Which Nonvocal Musical Instrument Sounds Like the Human Voice? An Empirical Investigation |
1 |
| Can Guided Play and Storybook Reading Promote Children's Drawing Development? |
1 |
| It Stops Your Brain From Making Assumptions About What a Body Should Look Like: The Impact of Life Drawing on Adolescents, With Recommendations for Practitioners |
0 |
| Causal Understanding in Film Viewing: The Effects of Narrative Structure and Personality Traits |
0 |
| Effects of Continuity or Discontinuity in Actual Film Editing |
0 |
| Expression Versus Distraction: An Investigation of Contrasting Emotion Regulation Strategies When Drawing, Writing, Talking, and Thinking |
0 |
| Effect of Camera Angle on Perception of Trust and Attractiveness |
0 |
| Art Beyond Art's Sake: The Influence of Artistic Cues on Prosocial Choice |
0 |
| What Do Book Awards Signal? An Analysis of Book Awards in Three Countries |
0 |
