| Style and chronology: A stylometric investigation of Aphra Behn's dramatic style and the dating of The Young King |
2 |
| Mountains in labour: Eliot's 'Atrocities' and Woolf's alternatives |
2 |
| Stylistics goes to school |
2 |
| 'It was him': Representational strategies, identity, and legitimization in the Boston Marathon bombing trial narratives |
2 |
| The year's work in stylistics 2018 |
2 |
| Speech-bundles in the 19th-century English novel |
1 |
| A reader response method not just for 'you' |
1 |
| Metaphorical patterns in Anthropocene fiction |
1 |
| Something happened, something bad': Blackouts, uncertainties and event construal in The Girl on the Train |
1 |
| Literary stylistics, authorial intention and the scientific study of literature: A critical overview |
1 |
| Understanding retrospection: Blended joint attention and the multimodal construction of film flashbacks |
1 |
| Filming a poem with a mobile phone and an intensive multiplicity: A creative pedagogy using stylistic analysis |
1 |
| Praising the fallen heroes: Storytelling in US war presidential rhetoric, from Johnson to Obama |
1 |
| The year's work in stylistics 2017 |
1 |
| The sarcastic implicatures of an ambivalent villain: Dahl's Willy Wonka |
0 |
| Defoe's psychological realism: The effect of directness in indirect consciousness representation categories |
0 |
| Relevance theory and metaphor: An analysis of Tom Waits' Emotional Weather Report' |
0 |
| A Certain Romance': Style shifting in the language of Alex Turner in Arctic Monkeys songs 2006-2018 |
0 |
| Song lyrics and the disruption of pragmatic processing: An analysis of linguistic negation in 10CC's I'm Not in Love' |
0 |
| Please could you stop the noise': The grammar of multimodal meaning-making in Radiohead's Paranoid Android' |
0 |
| Y'all don't wanna hear me, you just wanna dance': A cognitive approach to listener attention in OutKast's Hey Ya!' |
0 |
| Transitivity, agency, mind style: What's the lowest common denominator? |
0 |
| Priming text function in personification allegory: A corpus-assisted approach |
0 |
| Re-reading in stylistics |
0 |
| Second-person narration as a joint action |
0 |
| Racism and dehumanisation in Heart of Darkness and its Italian translations: A reader response analysis |
0 |
| Male blues lyrics 1920 to 1965: A corpus based analysis |
0 |
| Cohesive harmony and theme in Peter Carey's The last days of a famous mime' |
0 |
| What, if anything, is a caesura? The ontology of the 'pause' in English heroic verse |
0 |
| 'Colloquialization' in fiction: A corpus-driven analysis of present-tense fiction |
0 |
| Meek as milk and large as logic: A corpus study of the non-standard poetic simile |
0 |
