| Performing manaaki and New Zealand refugee theatre |
2 |
| Understanding spaces of potentiality in applied theatre |
2 |
| The integrated spectator: theatre audiences and pedagogy |
1 |
| Co-emergence: an art-full dance of inquiry into artists' experiences of making art |
1 |
| Intergenerational performance ecology: a practice-based approach |
1 |
| Beyond mimesis to an assemblage of reals in the drama classroom: which reals? Which representational aesthetics? What theatre-building practices? Whose truths? |
1 |
| Bus journeys, sandwiches and play: young children and the theatre event |
1 |
| Surviving, but not thriving: the politics of care and the experience of motherhood in academia |
1 |
| Towards a probody aesthetics: ageing and occupationally damaged bodies in performance |
1 |
| Theatre training and performance practice in neoliberal Zimbabwean universities: survival strategies and frustrations |
1 |
| Playing with improv(isational) theatre to battle public speaking stress |
1 |
| Creating welcoming spaces in the city: exploring the theory and practice of hospitality' in two regional theatres |
1 |
| Access through the shadows: lessons from applied performance practice research at the borderlands |
1 |
| Enhancing relaxed performance: evaluating the Autism Arts Festival |
1 |
| Reiterating Asylum Archive: documenting direct provision in Ireland |
1 |
| Performing that which exceeds us: aesthetics of sincerity and obscenity during the refugee crisis' |
1 |
| What can theatre do about the refugee crisis? Enacting commitment and navigating complicity in performative interventions |
1 |
| 'Behind every stone awaits an Alexander': unravelling the limits of participation within micro and macro dramaturgy of participatory refugee theatre |
1 |
| Reframing the document(ary): exploring asylum policies on stage |
0 |
| At the 'frontiers' of humanitarian performance: refugee resettlement, theatre-making and the geo-politics of service |
0 |
| Debt, the migrant, and the refugee: Lampedusa on stage |
0 |
| Performing crisis: the COBRA Committee and the aesthetics of governmental response |
0 |
| Performing home in Barcelona: a practice-based photo essay |
0 |
| The importance of being gay: the perils and possibilities of LGBTI asylum seekers' involvement in Rights of Passage |
0 |
| Parking des Anges [parking angels]: navigating the 'in-between' as spaces of transition through the arts in Durban, South Africa |
0 |
| Image theatre: transforming perspectives through embodied responses to refugee drawings in Yesterday/Today/Tomorrow (Traceability is Credibility) at the 2017 Venice Biennale |
0 |
| Performing witnessing: dramatic engagement, trauma and museum installations |
0 |
| Dementia's Journey |
0 |
| How young artist/facilitators use their unsettled identity to develop creative ageing practice |
0 |
| 'Memory in two voices:' an aesthetics of care in performance groups for older adults |
0 |
| Dramaturgy of assistance: performing with dementia or age-related memory loss |
0 |
| The origin of dementia friendly theatre performances and the role of people living with dementia as creative consultants |
0 |
| Slowing down: performance in care homes and the practice of attunement |
0 |
| Quality of life or 'quality moments of life': considering the impact of relational clowning for people living with dementia |
0 |
| Never ending story and forgotten futures: moving beyond decline/renewal binaries in dementia care |
0 |
| Working within an aesthetic of relationality: theoretical considerations of embodiment, imagination and foolishness as part of theatre making about dementia |
0 |
| Wandering in care homes: the role of artists in reimagining walking performed by people living with dementia |
0 |
| The limits of access: the messy temporalities of hope and the negotiation of place |
0 |
| Streets, bridges, cul-de-sacs, and dreams: does inviting shelter dwelling youth to work with culture industry professionals engender a sense of cruel optimism'? |
0 |
| Homegrown censored voices and the discursive British Muslim representation |
0 |
| 'Talking back, talking out, talking otherwise': dementia, access and autobiographical performance |
0 |
| A theatrical critique of humanitarian civility in the ICRC Museum |
0 |
| Actor, character, and the political in Nola Chilton's documentary theatre |
0 |
| We might play different parts: theatrical improvisation and anti-racist pedagogy |
0 |
| Mapping the archives: 9 |
0 |
| Tactics: practical and imagined |
0 |
| The construction and pilot application of a scoring rubric for creative drama lesson planning |
0 |
| The impact of narrative-based learning in classroom |
0 |
| The Not Knowns': memory, narrative and applied theatre |
0 |
| Performance art at the campusphere: pedagogical experiments on-site |
0 |
