| Theoretical Paradoxes of Representation and the Problems of Media Representations of Zimbabwe in Crisis |
2 |
| Screening Solidarity in Late 1960s Britain: Racism, Anti-Apartheid, and a Televised Debate |
2 |
| KhoeSan Identity and Language in South Africa: Articulations of Reclamation |
2 |
| UNPACKING THE PHOTOGRAPHIC COLLECTION OF A NATAL MIDLANDS FARMING FAMILY: WAYS OF WORKING WITH PHOTOGRAPHS |
1 |
| RITUALISED TALK OF ENGLISH PREMIER LEAGUE FOOTBALL AMONG INFORMAL MARKET VENDORS IN ELDORET, KENYA |
1 |
| Methods of Literacy in Indigenising Research Education: Transformative Methods Used in the Kalahari |
1 |
| Owning the Body, Embodying the Owner: Complexity and Discourses of Rights, Citizenship and Heritage of Southern African Bushmen |
1 |
| Towards a Conceptual Reading of Performance as a (Counter) Public Sphere |
1 |
| ?Been Down So Long It Looks Like Up to Me?: Rethinking the Humanities (in Times of) Crisis |
1 |
| Research through a Camera Lens: A Rhizomatic Search for Lode's Code |
1 |
| Literature and Participatory Culture Online: Literary Crowdsourcing and Its Discontents |
1 |
| Media Broadcasters as Agents of Participatory Communication through Audience Involvement: MultiChoice's Strategies |
1 |
| Why Efforts to Decolonise Can Deepen Coloniality and What Ubuntu Can Do to Help |
1 |
| Contemporary Khoesan Languages of South Africa |
1 |
| The Literacy of Tracking |
1 |
| Self-Portraiture and Historical Memory: Zhang Mengqi's Documentary Practice |
0 |
| Caring for the Past: Curatorial Proposals for Judith Mason's Blue Dress |
0 |
| The First Afrikaans |
0 |
| Intertextual and Hypermodal Representations of China's Cultural Confidence in Social Media Communication |
0 |
| Documentary Film as Collaborative Ethnography: Using a Thirdspace Lens to Explore Community and Race |
0 |
| Locating Sexual Rights in the Anti-apartheid Movement: Simon Nkoli and the Making of Post-apartheid Protest Theatre |
0 |
| Discourse Interaction in The New York Times and China Daily: The Case of Google's Departure |
0 |
| The Exhibited Corpse: Spectacle and Display in Body Worlds Johannesburg |
0 |
| FIG(URATIONS): One Extended Metaphor for the Poetic Method, a Vignette for Convolute H (and an Ode to Walter Benjamin) |
0 |
| Hip-hop and Decolonized Practices of Language Digitization among the Contemporary !Xun and Khwe Indigenous Youth of South Africa |
0 |
| Photography and the Archive |
0 |
| The Logic of Platforms: How On Demand Museums Are Adapting in the Digital Era |
0 |
| Affective Everyday Media: The Performativity of Whiteness in Australian Digital Storytelling |
0 |
| Digitalising the Shared Experience: Interconnected Dramaturgy and the Role of Media in the Tri-National Performance Phone Home |
0 |
| The Audience and Artist Interactivity in Augmented Reality Art: The Solo Exhibition on the Flame Series |
0 |
| Embodied, Participatory Sense-Making in Digitally-Augmented Music Practices: Theoretical Principles and the Artistic Case SoundBikes |
0 |
| A Different Point of View: Women's Self-representation in Instagram's Participatory Artistic Movements @girlgazeproject and @arthoecollective |
0 |
| YouTube Scenes and the Public Re-seen: Natalie Bookchin and the Digital Public |
0 |
| In Parenthesis |
0 |
| One Made by Many: the Recording of Present-Day Kalahari Stories |
0 |
| Memory, Multiplicity, and Participatory Curation at the District Six Museum, Cape Town |
0 |
| Rorke's Drift (or Sandlwane)-with Measured Thanks |
0 |
| Reviewing the Topic: Literacy and Language amongst the KhoeSan |
0 |
| When Race is Made Otherwise: A Book Review Race Otherwise: Forging a New Humanism for South Africa, by Zimitri Erasmus, Johannesburg, Wits University Press, 232 pp., $30 |
0 |
| Imaging an Assisted Evolution: The Environmental Futurity of Zanele Muholi's Somnyama Ngonyama |
0 |
| Listeners Perceptions of Forte FM's Role in Facilitating Community Development in Alice, South Africa |
0 |
| Humanities, Citations and Currency: Hierarchies of Value and Enabled Recolonisation |
0 |
| The Language Question: Khoisan Linguicide and Epistemicide |
0 |
| That's My Life Jacket! Speculative Documentary as a Counter Strategy to Documentary Taxidermy |
0 |
| Biting the Hand That Feeds You: A Strategy of Wayward Curating |
0 |
| ACTING UP AGAINST APARTHEID: LISTENING TO THE MARKET THEATRE ARCHIVE |
0 |
| Decolonising Theatre: Subverting the Western Dramaturgical Frame in Zimbabwean Theatre and Performance |
0 |
| THE POSTCOLONIAL ECOPOLITICS OF CONSUMPTION: REIMAGINING THE KOLA NUT IN CHRIS ABANI'S GRACELAND |
0 |
| Cross-Cultural Adaptation of Hollywood's Jury Drama in the Chinese Context: 12 Citizens |
0 |
| The Khoisan Languages of Southern Africa: Facts, Theories and Confusions |
0 |
