| The Ethos and Telos of Michoacan's Knights Templar |
2 |
| Chinese Landscapes of Desolation |
1 |
| An Ecology of Operations: Vigilance, Radar, and the Birth of the Computer Screen |
1 |
| Pain and Memory in the Formation of Early Modern Habitus |
1 |
| Cuban Corals in East Berlin's Natural History Museum, 1967-74: A History of Nondiplomacy |
1 |
| Remembering Planet Auschwitz During the Cold War |
1 |
| The Stamp of Rarity: Ancestrality and Extinction in Daniel Deronda |
1 |
| What Do Nanquan and Schrodinger Have Against Cats? |
1 |
| Visual History: The Past in Pictures |
1 |
| Francisco Pacheco's Book of True Portraits: Humanism, Art, and the Practice of Visual History |
1 |
| Ur: Empire, Modernity, and the Visualization of Antiquity Between the Two World Wars |
1 |
| Staging the Last Judgment in the Trial of Charles I |
1 |
| Staring into the Abyss of Time |
1 |
| Elements of Photography: Avant-garde Aesthetics and the Reforging of Nature |
1 |
| Contemporary, Inc. |
1 |
| Heartfelt Musicking: The Physiology of a Bach Cantata |
1 |
| Afteraffect: Arabic Literature and Affective Politics |
0 |
| Austen Equilibrium |
0 |
| Unit: A Semantic and Architectural History |
0 |
| Talk That Talk: Shakespeare's Venus and Adonis and the Seductions of a Form |
0 |
| Selma and the Place of Fiction in Historical Films |
0 |
| Prophets Genuine and Spurious: The Victorian Jesus Novel and the Ends of Comparison |
0 |
| Tears in Paradise: The Revolution of Tender Conscience |
0 |
| On Verminous Life |
0 |
| Powers of the Script: Prescription and Performance in Turn-of-the-Century France |
0 |
| Slow Protest in the Occupation of Cambodia's White Building |
0 |
| Art, Judaism, and the Critique of Fascism in the Work of Ernst Cassirer |
0 |
| Visualizing History in Eighteenth-Century France |
0 |
| The Medium Is the Messagerie |
0 |
| The Accent of Truth: The Hollywood Research Bible and the Republic of Images |
0 |
| Eyewitnessed Historia and the Renaissance Media Revolution: Visual Histories of the Council of Trent |
0 |
| His Belly, Her Seed: Gender and Medicine in Early Modern Demonic Possession |
0 |
| Sound Evidence, 1969: Recording a Milanese Riot |
0 |
| No Pain, No Gain and the History of Presence |
0 |
| IS There Truth in Pain? |
0 |
| A Finger in the Wound: On Pain, Scars, and Suffering |
0 |
| The Social Life of Pain |
0 |
| On the History of the Exhibition |
0 |
| A Short History of the Picture as Box |
0 |
| In Search of Madame Blavatsky: Reading the Exoteric, Retrieving the Esoteric |
0 |
| Tutankhamun in West Germany, 1980-81 |
0 |
| The Splendor of Dresden in the United States, 1978-79 |
0 |
| Thermodynamic Rhythm: The Poetics of Waste |
0 |
| Music Lessons on Affect and Its Objects |
0 |
| Reading-In: Franz Boas's Theory of the Beholder's Share |
0 |
