| Negative Preposing: Intervention and Parametric Variation in Complement Clauses |
2 |
| Appropriated Bodies: Trauma, Biopower and the Posthuman in Octavia Butler's Bloodchild and James Tiptree, Jr.'s The Girl Who Was Plugged In |
2 |
| Evaluation of Status as a Persuasive Tool in Spanish and American Pre-electoral Debates in Times of Crisis |
1 |
| Another Look at Old English Zero Derivation and Alternations |
1 |
| Changing Scholarly Interpretations of Gertrude Bonnin (Zitkala-Sa) |
1 |
| A Queer Eye for Gilman's Text: The Yellow Wallpaper, a Film by PBS |
1 |
| From Africa to America: Precarious Belongings in NoViolet Bulawayo's We Need New Names |
1 |
| Which Came First: The Chicken or the Egg? Ditransitive and Passive Constructions in the English Production of Simultaneous Bilingual English Children |
1 |
| Pain and Narrative Shape: Beyond the Indocility of Trauma in Three Newfoundland Novels |
1 |
| Flying Solo: Mobility in Up in the Air |
0 |
| Louise Erdrich's Future Home of the Living God: Uncertainty, Proleptic Mourning and Relationality in Native Dystopia |
0 |
| The Horror of Loss: Reading Jennifer Kent's The Bahadook as a Trauma Narrative |
0 |
| Facework and Prosocial Teasing in a Synchronous Video Communication Exchange |
0 |
| Mark-up and Annotation in the Corpus of Historical English Law Reports (CHELAR): Potential for Historical Genre Analysis |
0 |
| Female Cycling and the Discourse of Moral Panic in Late Victorian Britain |
0 |
| T. S. Eliot in the Art of R. B. Kitaj: Anatomy of an Influence |
0 |
| Returning to Ezuversity: Feminism and Emancipation in the Letters of Ezra Pound to Forgotten Modernist Iris Barry, 1916-1917 |
0 |
| A Transcultural Approach to EIL Teaching and its Impact on Learners' National Identities |
0 |
| EFL Grapho-Phonemics: The Teachability of Stressed Vowel Pronunciation Rules |
0 |
| Escape and Consolation: Narrative Voice and Metafiction in the Harry Potter Series |
0 |
| Examining Racial Taboo through X-phemism in the TV Show Black-ish |
0 |
| Body Awakening through Athletics: A Gender Analysis of Corporealities in Breathe, Annie, Breathe |
0 |
| Writing the Self: Philip Freneau's Homeostatic Poetic Production |
0 |
| Nostalgia and the Sublime in Cormac McCarthy's The Border Trilogy |
0 |
| Partly American!: Sarah Bernhardt's Transnational Disability in the American Press (1915-1918) |
0 |
| The Alien as a Vehicle for Cosmopolitan Discourses: The Case of The Day the Earth Stood Still |
0 |
| Filming Metatheatre in Gregory Doran's Macbeth: Refracting Theatrical Crises at the Turn of the Century |
0 |
| Beyond the Latina Boom: New Directions within the Field of US Latina Literature |
0 |
| Joy Harjo's Poetics of Memory and Resilience |
0 |
| Taking the I out of Being: Zen Buddhism and Postmodern (Dis)contents in Ruth Ozeki's A Tale for the Time Being |
0 |
| Love on the Margins: The American Indie Rom-com of the 2010s |
0 |
| Transgenerational Affect and Cultural (Self)Acceptance in Two TransCanadian Short Stories |
0 |
| Thus Spoke Proctor: Nietzsche and the Overman in Arthur Miller's The Crucible |
0 |
| The Thin Frontera between Visibility and Invisibility: Felicia Luna Lemus's Like Son |
0 |
| Nonnarrative and History in Barrett Watten's Under Erasure |
0 |
| Graham Greene's The Living Room: An Uncomfortable Catholic Play in Franco's Spain |
0 |
| The Storyteller's Nostos: Recreating Scheherazade and Odysseus in Kazuo Ishiguro's Never Let Me Go |
0 |
| Talking Bodies: Sexual Abuse, Language, Illness and Dissociation in Camilla Gibb's Mouthing the Words |
0 |
| Genre Shifting in Restoration Adaptations of Cervantes's El curioso impertinente |
0 |
