| More than Just Entertaining: Cinematic Containment and Asia's Cold War in Hong Kong, 1949-1959 |
4 |
| Totalitarian Ordinariness: The Chinese Epidemic Novel as World Literature |
2 |
| Reportage, Ethnicity, and Feminine Subjectivities: Ai Wu's Journey to the South and Its Sequels |
1 |
| Beyond National Allegory: Mo Yan's Fiction as World Literature |
1 |
| In Search of the City of Light: Chinese Creative Communities and the Myth of Interwar Paris |
0 |
| Between Historicity and Fictionality: Xiang Kairan, Martial Arts Fiction, and Chinese Narrative Tradition |
0 |
| Expo Fantasies: Time, Space, and the Transnational Vision in Three Late Qing Texts |
0 |
| Revolutionary Illumination: Stage Lighting, Politics, and Play in 1930s Shanghai Theater |
0 |
| Outcast, Autocrat, Believer: The Making of a Radical in the Late Qing Biographies of Zheng Chenggong |
0 |
| In Defense of Hong Kong: The Critical Reception of Milkyway Image Films |
0 |
| Threshold Nationhood: Huang Guliu's The Story of Shrimp-ball, Chinese Latinization, and Topolect Literature |
0 |
| One Part in Concert, and One Part Repellence: Liu Waitong, Cao Shuying, and the Question of Hong Kong and Mainland Chinese Sinophones |
0 |
| How Don Juan Came to Taiwan: Fictional Worlds in Ye Shitao's Early Postwar Short Stories |
0 |
| Author as Performer: The Making of Authorship in The Man behind the Book |
0 |
| Work through Power, Discourse, and Subject Formation: Wang Xiaobo's Contributions to the Chinese Intellectual Debate |
0 |
| Imagining Utopia: Reading Ou Ning's The Bishan Commune: How to Start Your Own Utopia |
0 |
| Can't Get There from Here: Deictic Will and the Mapped Life in Ma Jian's Beijing Coma |
0 |
| Perseverance through Aftershocks: Epistephilia in Chinese Reportage and Independent Documentary |
0 |
| From the Margins to the Hearth: A Study of Xu Gang's Environmental Reportage |
0 |
| The Liang Village Series: Post-socialist Dynamics of Liang Hong's Rural Investigation |
0 |
| Images of Aging and the Aesthetic of Actuality in Chinese Film: Reportage, Documentary, and the Art of the Real |
0 |
| Soil and Scroll: The Agrarian Origin of a Cold War Documentary Avant Garde |
0 |
| Reportage and its Contemporary Variations: An Introduction |
0 |
| Chanting Slogans with Muted Voice: Lan Bozhou's Song of the Covered Wagon and Untimely Leftist Reportage in Taiwan |
0 |
| From Nobel to Hugo: Reading Chinese Science Fiction as World Literature |
0 |
| Indigeneity, Map-Mindedness, and World-Literary Cartography: The Poetics and Politics of Li Yongping's Transregional Chinese Literary Production |
0 |
| Capitalizing China: Writing Autography into World Literature |
0 |
| Worlding World Literature from the Literary Periphery: Four Taiwanese Models |
0 |
| Introduction: Chinese Worlds of World Literature |
0 |
| A World Republic of Southern [Sinophone] Letters |
0 |
