| BIM for heritage science: a review |
16 |
| Non-invasive identification of paint binders in illuminated manuscripts by ER-FTIR spectroscopy: a systematic study of the influence of different pigments on the binders' characteristic spectral features |
13 |
| A timeline for the introduction of synthetic dyestuffs in Japan during the late Edo and Meiji periods |
10 |
| XRF and reflectance hyperspectral imaging on a 15th century illuminated manuscript: combining imaging and quantitative analysis to understand the artist's technique |
10 |
| Synthetic materials in art: a new comprehensive approach for the characterization of multi-material artworks by analytical pyrolysis |
8 |
| Beauty is skin deep: the skin tones of Vermeer's Girl with a Pearl Earring |
8 |
| Revealing the painterly technique beneath the surface of Vermeer's Girl with a Pearl Earring using macro- and microscale imaging |
8 |
| Imaging secondary reaction products at the surface of Vermeer's Girl with the Pearl Earring by means of macroscopic X-ray powder diffraction scanning |
7 |
| Recent progress in instrumental techniques for architectural heritage materials |
6 |
| Infrared chemical mapping of degradation products in cross-sections from paintings and painted objects |
6 |
| Fluid simulations in heritage science |
6 |
| Comparison of three 3D scanning techniques for paintings, as applied to Vermeer's 'Girl with a Pearl Earring' |
6 |
| Evidence of early amorphous arsenic sulfide production and use in Edo period Japanese woodblock prints by Hokusai and Kunisada |
6 |
| Integrated X-ray fluorescence and diffuse visible-to-near-infrared reflectance scanner for standoff elemental and molecular spectroscopic imaging of paints and works on paper |
6 |
| Reflectance FT-IR spectroscopy as a viable option for textile fiber identification |
6 |
| Natural and synthetic arsenic sulfide pigments in Japanese woodblock prints of the late Edo period |
6 |
| Impact of solar radiation and environmental temperature on Art Nouveau glass windows |
6 |
| Combined photoluminescence and Raman microscopy for the identification of modern pigments: explanatory examples on cross-sections from Russian avant-garde paintings |
5 |
| Restoration of an ancient temple mural by a local search algorithm of an adaptive sample block |
5 |
| Developing a systematic approach to determine the sequence of impressions of Japanese woodblock prints: the case of Hokusai's Red Fuji' |
5 |
| Reconstructing Van Gogh's palette to determine the optical characteristics of his paints |
5 |
| Fading into the background: the dark space surrounding Vermeer's Girl with a Pearl Earring |
5 |
| Microscopic observations of paper and parchment: the archaeology of small objects |
5 |
| New insights into iron-gall inks through the use of historically accurate reconstructions |
5 |
| From 'Vermeer Illuminated' to 'The Girl in the Spotlight': approaches and methodologies for the scientific (re-)examination of Vermeer's Girl with a Pearl Earring |
5 |
| Combined Micro- and Macro scale X-ray powder diffraction mapping of degraded Orpiment paint in a 17th century still life painting by Martinus Nellius |
5 |
| Interactions on site between powdering porous limestone, natural salt mixtures and applied ammonium oxalate |
5 |
| A technical study of the materials and manufacturing process used in the Gallery wall paintings from the Jokhang temple, Tibet |
4 |
| Separating two painting campaigns in Saul and David, attributed to Rembrandt, using macroscale reflectance and XRF imaging spectroscopies and microscale paint analysis |
4 |
| Characterization of pigments and binders in a mural painting from the Andean church of San Andres de Pachama (northernmost of Chile) |
4 |
| Laser cleaning of paintings: in situ optimization of operative parameters through non-invasive assessment by optical coherence tomography (OCT), reflection FT-IR spectroscopy and laser induced fluorescence spectroscopy (LIF) |
4 |
| Wood preservation with gold hydroxyapatite system |
4 |
| A synthetic approach to weathering degree classification of stone relics case study of the Yungang Grottoes |
4 |
| Relating volatiles analysis by GC-MS to Oddy test performance for determining the suitability of museum construction materials |
4 |
| Geotechnical and geophysical investigation techniques in Ben Ezra Synagogue in Old Cairo area, Egypt |
4 |
| Seeing red: towards an improved protocol for the identification of madder- and cochineal-based pigments by fiber optics reflectance spectroscopy (FORS) |
4 |
| Effect of solvent on PARALOID((R)) B72 and B44 acrylic resins used as adhesives in conservation |
4 |
| A controlled field experiment to investigate the deterioration of earthen heritage by wind and rain |
4 |
| In situ non-invasive multianalytical methodology to characterize mosaic tesserae from the House of Gilded Cupids, Pompeii |
4 |
| Application of multi-modal 2D and 3D imaging and analytical techniques to document and examine coins on the example of two Roman silver denarii |
4 |
| A novel LC-MS method using collagen marker peptides for species identification of glue applicable to samples with multiple animal origins |
4 |
| Evaluation of polyvinyl alcohol-borax/agarose (PVA-B/AG) blend hydrogels for removal of deteriorated consolidants from ancient Egyptian wall paintings |
4 |
| Creation and reference characterization of Edo period Japanese woodblock printing ink colorant samples using multimodal imaging and reflectance spectroscopy |
4 |
| Model study of the leather degradation by oxidation and hydrolysis |
4 |
| Solvent-mediated extraction of fatty acids in bilayer oil paint models: a comparative analysis of solvent application methods |
4 |
| Mapping diagenesis in archaeological human bones |
4 |
| A methodological approach to estimate soil corrosivity for archaeological copper alloy artefacts |
3 |
| Micro differential scanning calorimetry and micro hot table method for quantifying deterioration of historical leather |
3 |
| An assessment of multimodal imaging of subsurface text in mummy cartonnage using surrogate papyrus phantoms |
3 |
| An archaeometric approach to the majolica pottery from alcazar of Najera archaeological site |
3 |
