| Sport and Neoliberalism: An Affective-Ideological Articulation |
6 |
| I'd Rather Have No Brains and Two Balls: Eunuchs, Masculinity, and Power in Game ofThrones |
4 |
| Blind Warriors, Supercrips, and Techno-Marvels: Challenging Depictions of Disability in Star Wars |
3 |
| Genre Worlds and Popular Fiction: The Case of Twenty-First-Century Australian Romance |
3 |
| Yes! No!... Maybe?: Reading the Real in Professional Wrestling's Unreality |
2 |
| Neoliberalism Goes Pop and Purple: Postfeminist Empowerment from Beyonce to Mad Max |
2 |
| Domesticating Hedwig: Neoliberal Global Capitalism and Compression in South Korean Musical Theater |
2 |
| The Apocalyptic Sublime: Anthropocene Representation and Environmental Agency in Hollywood Action-Adventure Cli-Fi Films |
2 |
| Fear and Selfie-Loathing in America: Identifying the Interstices of Othering, Iconoclasm, and the Selfie |
2 |
| Beautiful and Masculine: Male Make-Up YouTubers and Heteronormativity in South Korea |
1 |
| Mothers and Antiheroes: Analyzing Motherhood and Representation in Weeds, Sons of Anarchy, and Breaking Bad |
1 |
| Following Death: Suicide as Tourist Attraction through Popular Culture |
1 |
| World Book Day and Its Discontents: The Cultural Politics of Book-Based Fancy Dress |
1 |
| Cross-Cultural Appropriation of Hollywood Romance in Beijing Meets Seattle |
1 |
| It's Called a Hustle, Sweetheart: Black Lives Matter, the Police State, and the Politics of Colonizing Anger in Zootopia |
1 |
| Anatomy of a Hit: Friends and Its Sitcom Legacies |
1 |
| New Adventures in Old Texts: Gender Roles and Cultural Canons in Twenty-First-Century Mash-Ups |
1 |
| American War Adventure and the Generic Pleasures of Military Violence: Clint Eastwood's American Sniper |
1 |
| The Future of Sex: Intermedial Desire between Fembot Fantasies and Sexbot Technologies |
1 |
| The NBA Dandy Plays the Fashion Game: NBA All-Star All-Style and Dress Codes of Black Masculinity |
1 |
| This Kindergarten Country of Ours: Daniel Tosh's Postmodern Social Politics |
1 |
| Might All Be a Work: Professional Wrestling at Butlins Holiday Camps |
1 |
| The Telenovela Effect: Challenges of Location Filming and Telenovela Tourism in the Brazilian Favelas |
1 |
| The Betwixt-and-Between: Peter Pan as a Trickster Figure |
1 |
| Life Isn't Some Cartoon Musical: Neoliberal Identity Politics in Zootopia and Orange Is the New Black |
1 |
| An (Anti)Neoliberal Christmas |
1 |
| Dysfunctional Family Values: United States Memoir in the Neoliberal Age |
1 |
| The Outcasts: Racial Anxiety in the Television Western |
0 |
| Utopian Home Spaces in Shelter Media |
0 |
| Is That Clear? No, But It's Consistent: The Film Musical and New Hollywood's Genre Blurring in What's Up, Doc? |
0 |
| Revisiting Avril Lavigne: Intersections of Subculture, Gender, Youth, and Authenticity |
0 |
| Social Identity Crisis? Patrick Bateman, Donald Trump, and the Hermeneutic Maelstrom |
0 |
| About Us: Authenticating Identity Claims in the Craft Beer Industry |
0 |
| Atsumenia: Strategic Accumulation and Networks of Desire in Collection-Based Smartphone Games |
0 |
| Selfie-Help: The Multimodal Appeal of Instagram Poetry |
0 |
| Quilts and Community in Barbara Graham's Southern Cozies |
0 |
| Friends? Always: The Power of Male Friendship in Harry Potter and the Cursed Child |
0 |
| I Didn't See It, But I Know What It's About: The Motion Picture Trailer and Problematic Synecdoche |
0 |
| The Difference Between World and Want: Adulthood and the Horrors of History in Stephen King's IT |
0 |
| Motorsports as Popular Culture as Politics: Le Mans, F and Video Games |
0 |
| Neoliberal Heroes: Clint Eastwood's Sully and the Haunting of History |
0 |
| Serving (Fetishized) Time: An Intersectional Analysis of Netflix's Food Trucks in Mexico and the United States |
0 |
| Now is a Dystopia: Ayn Rand and the Right-Wing Appropriation of The Hunger Games |
0 |
| Dystopian Eating, Queer Liberalism, and the Roots of Donald Trump in HBO's Angels in America |
0 |
| Sex Sells (Out): Neoliberalism and Erotic Fan Fiction |
0 |
| Calling-Out the Bullshit: The Paradox of Neoliberal Critique in The Big Short |
0 |
| Posthumanism and Un-Endings: How Ligotti Deranges Lovecraft's Cosmic Horror |
0 |
| The Past Tense and the Future Perfect: The Postmodern Play of Watanabe Shin'ichir and the Possibility of the Coming Community |
0 |
| Full-Blooded Desi Romance: Contemporary English-Language Romance Novels in India |
0 |
| Do You Want to Build on a Racist Tradition?: Olaf from Disney's Frozen and Blackface Minstrelsy |
0 |
