| The Cultural Politics of Aspiration: Family Photography's Mixed Feelings |
3 |
| Brandishing Guns: Performing Race and Belonging in the American West |
2 |
| Asco, Chris Burden, and the Politics of the Misfire |
1 |
| 'The Most Fascinating and Well-Designed Artifacts of Our Time': Collecting and Exhibiting Contemporary Guns in the Art Museum |
1 |
| Hold your Gun Arm Steady to Keep the Color of the Flower: The Propeller Group and Le Brothers |
1 |
| The Exhibition as an Experiment: An Analogy and Its Implications |
1 |
| Hauntological Environmental Art: The Photographic Frame and the Nuclear Afterlife of Chernobyl in Lina Selander's Lenin's Lamp |
1 |
| Doing things with being undone |
1 |
| To make what is vertical horizontal: picturing social domination |
1 |
| Moving bodies: captured life in the late works of Harun Farocki |
1 |
| Abounaddara and the global visual politics of the 'right to the image' |
1 |
| History and photographic memory |
0 |
| Creepypasta, 'Candle Cove', and the digital gothic |
0 |
| Televisual epistemologies and beyond |
0 |
| Paranoid looking: on de-communization |
0 |
| Thermal vision |
0 |
| Catching the ghost: the digital gaze of motion capture |
0 |
| Witnessing famine: the testimonial work of famine photographs and anti-colonial spectatorship |
0 |
| The Hundreds, observation, encounter, atmosphere, and world-making |
0 |
| Motion and e-motion: lust and the 'frenzy of the visible' |
0 |
| The performativity of provocation: the case of Artur Zmijewski |
0 |
| Roundtable on Visuality, Race and Nationhood in Italy |
0 |
| This other atmosphere: against human resources, emoji and devices |
0 |
| On the Face of the Photograph, and the Moving Image: Geopolitical Affect in the Speculative Landscapes of Connie Samaras |
0 |
| Affective Architectures: Photographic Evidence and the Evolution of Courtroom Visuality |
0 |
| Archive of the Ordinary: Jason Lazarus, Too Hard to Keep |
0 |
| The Natural History of Rape |
0 |
| Photography, Curation, Affect |
0 |
| Liquid Crystals: A Roundtable |
0 |
| Textured Cuts: The Demolition Cinema of Pedro Costa and Jose Luis Guerin |
0 |
| Observance, Notes towards Decipherability |
0 |
| Feeling Down(town Julie Brown): The Sense of Up and Expiring Relationality |
0 |
| On (Being) Fear: Utah v. Strieff and the Ontology of Affect |
0 |
| Portfolio of Artworks |
0 |
| Visualizing a Black Future: Emory Douglas and the Black Panther Party |
0 |
